Simply put, a portrait party happens whenever two artists draw each other. In the classroom, portrait parties are a fun and versatile art game. They can be used to introduce students to a wide variety of artists and art skills. With practice, they are adjustable to any class period, and are appropriate for all ages. All one needs to start a…

In this article, the author describes how students can create a stunning as well as economical mosaic utilizing fall's brilliantly colored leaves, preserved at their peak in color. Start by choosing a beautiful fall day to take students on a nature walk to collect a variety of leaves in different shapes, sizes, and colors. Focus on collecting a…

Cameos are low-relief portraits that are traditionally carved out of large conch seashells, although other materials, such as stone or metal, may be used. Thus, Lincoln's head carved on a penny is considered a cameo. Cameos are typically worn as jewelry in the form of a pendant, brooch, or ring. The process dates back to the 500s A.D. In this…

Part of the fourth-grade curriculum in the author's district is the creation of a self-portrait. This is always a challenge for both the students and the author, because it is so difficult for beginners to draw a satisfying drawing of a face, whether it is their own or someone else's. In the past the author tried many formats and materials to…

Art students have different learning styles. Some are visual learners who need to see the information. Some are auditory learners who need to hear the information. Others are tactile/kinesthetic learners who need to move, do, or touch in order to learn. Looking over her curriculum and lesson plans, the author realized almost every art lesson…

In this article, the author describes a lesson that evolved from being based solely on observation to incorporating images from imagination. The challenges involved in this lesson span a multiplicity of skills while encouraging students to trust and develop their own creativity. Incorporating both versions--the observed and imagined--into a single…

When he painted a portrait of Holy Roman Emperor Rudolph II (1552-1612), Giuseppe Arcimboldo used his imagination, and portrayed him as "Vertumnus," the Roman god of vegetation and the seasons. It's fun to find the different fruits, vegetables and flowers he used: pea-pod eyelids, a gourd for the forehead. Court painters of the time usually…

Deborah Rael-Buckley creates stunning figurative self-portraits in clay that layer "personal, cultural, historical, and biological imagery" in a narrative style. Her work provides an exciting challenge in three-dimensional self-portraits for eighth graders. In this article, the author suggests some exercises to get students brainstorming visual…

Bright, shining gold, so daring and intense. Patterns reflecting the spirit of the portrait's subject, wisps of a look that intrigue the viewer. Something sultry in the eye, something shimmering on the lip... these are the works of Gustav Klimt. Klimt was Vienna's golden boy of painting. Through his use of pattern and the mosaic qualities in his…

In 1888, when George Eastman introduced the "Kodak" camera, with the slogan, "you push the button, we do the rest," he ushered in a new era in documenting family history. Photography left the professional studio and entered the home, where the camera became the primary instrument of self-knowledge and self-representation. The camera allowed the…

The majority of student and professional artists have faced the challenge of creating a self-portrait. It is probably the most universal task set for artists throughout the ages. The lesson described in this article serves as an alternative to the traditional self-portrait and as a means of achieving a likeness in a nonthreatening way. Students…

In the project described in this article, sixth-grade students use printmaking processes to design an art image of themselves accompanied by a reflective poem. The lesson begins with a discussion of self-portraits by famous artists, inviting questions such as "What visual clues does the artist present to the viewer?" and "How has the artist placed…

Because people's vision of themselves and others is always changing, students wondered how pictures might show the effect of time and history on identity. They wondered how they might show two self-portraits in the same picture. This article describes a lesson on reconstructive self-portrait using a contrapuntal format. (Contains 5 resources and 3…

Inspired by an extraordinary "Textiles in the Museum" workshop at the Metropolitan Museum of Art, the author was motivated to plan an engaging fiber lesson for her Studio in Creative Crafts course. In this article, she describes how her students made self-portrait tapestries that were inspired by Coptic weavings. The multiple tasks required to…

The world of fine arts can seem a bit intimidating to a student, and it is part of the teacher's role to help ease students into that world. One of this author's goals as an art and design educator is to bring the world of his students into classroom projects, providing a sense of comfort and familiarity in the context of learning something new.…