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Copeland, Susan R., Ed.; Keefe, Elizabeth B., Ed. – Brookes Publishing Company, 2018
What are today's best methods for teaching literacy skills to students with complex support needs--including autism, intellectual disability, and multiple disabilities? This comprehensive guidebook has up-to-date, evidence-based answers for pre- and in-service educators. Developed by Copeland and Keefe, the experts behind the landmark book…
Descriptors: Literacy Education, Disabilities, Autism, Intellectual Disability
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Walby, Nathan – Music Educators Journal, 2011
Teaching musical vocabulary in a middle school general music class can often be challenging to the performance-based teacher. This article provides several teaching strategies for approaching words from both a theoretical and a practical standpoint. Based on a dialectical "this-with-that" approach by Estelle Jorgensen, this article argues that…
Descriptors: Music Education, Music, Listening, National Standards
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Frederickson, Matthew L. – Music Educators Journal, 2010
The opportunity for individualized instruction in the college studio allows the studio teacher to be a strong influence on the development of music students. The private studio can be an arena for standards implementation, bringing all aspects of a comprehensive music education to fruition. The college studio teacher is often the only teacher who…
Descriptors: Music Education, Teaching Styles, Music, National Standards
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Mills, Susan W. – General Music Today, 2009
National Standard 9, "understanding music in relation to history and culture," forms the basis for this article about family traditions found in bluegrass music. With historical information about the roots of bluegrass music in the Old Time tradition, the author provides helpful links and instructional strategies to help general music…
Descriptors: Educational Strategies, Music Education, Music, National Standards
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Bell, Cindy L. – Music Educators Journal, 2004
This article challenges choral teachers to motivate their choirs to a new level of choral singing and harmonic creativity and outlines a sequential process for introducing improvisation into the daily warm-up. It argues that students can learn to harmonize and improvise by ear as part of each day's warm-up period. Sections include: (1) Chord…
Descriptors: Teaching Methods, Sequential Approach, Creative Activities, National Standards
Council for Basic Education, Washington, DC. – 1994
This document presents the results of the project to develop an assessment framework and specifications for a planned 1996 Arts Education Assessment. The purpose of the project was to develop and recommend a framework and other design features for an arts education assessment that includes the areas of dance, music, theater, and the visual arts.…
Descriptors: Art Education, Dance, Dance Education, Educational Objectives
North Carolina State Dept. of Public Instruction, Raleigh. – 2000
Scope and sequence refers to organization of curriculum content, structuring what is taught against when it is taught. This scope and sequence for the different disciplines that comprise arts education in North Carolina public schools cites various goals to be attained in each grade for each of the following disciplines: dance, music, theater…
Descriptors: Academic Standards, Curriculum, Dance, Elementary Secondary Education
Hill, Peter – Teaching Music, 2004
Classroom music lessons are not usually a forum for addressing philosophical issues, but they can be. Through music and visual media, music teachers can discuss music with middle and high school students in a way that expands how they think about music and their environment. In other words, music teachers can open up space in their music classroom…
Descriptors: Films, War, National Standards, Music