Descriptor
Art Education | 4 |
Art History | 4 |
Interviews | 4 |
Elementary Secondary Education | 2 |
United States History | 2 |
Aesthetic Education | 1 |
Art Criticism | 1 |
Art Teachers | 1 |
Artists | 1 |
Arts Centers | 1 |
Audience Response | 1 |
More ▼ |
Publication Type
Journal Articles | 3 |
Guides - Classroom - Teacher | 2 |
Opinion Papers | 2 |
Reports - Descriptive | 2 |
Guides - Non-Classroom | 1 |
Historical Materials | 1 |
Education Level
Audience
Practitioners | 4 |
Teachers | 4 |
Parents | 1 |
Policymakers | 1 |
Location
Laws, Policies, & Programs
Assessments and Surveys
What Works Clearinghouse Rating

Stuhr, Patricia L.; And Others – Art Education, 1992
Presents six position statements for developing a multicultural arts curriculum. Suggests strategies for implementing curricula and resources for gathering community information. Provides examples of implementation, including a sample interview to use with artists and sample questions to ask students when analyzing works of art. (KM)
Descriptors: Art Education, Art History, Artists, Community Resources

Young, Bernard – Art Education, 1995
Maintains that many contemporary artists of color are not included in major art history textbooks. Describes how the author's two children designed a study to identify and interview three ethnic artists who have made contributions to U.S. society. Presents excerpts from an interview with J. Eugene Grigsby, Jr. (CFR)
Descriptors: Art Education, Art History, Art Teachers, Black History
Getty Center for Education in the Arts, Los Angeles, CA. – 1995
This guide and accompanying videotape are the fifth and final in a series that present full lessons and interviews with the instructors who created the lessons. Intended as starting points to stimulate thinking about a comprehensive approach to art education, these instructors discuss how they developed their lessons and how this approach has…
Descriptors: Aesthetic Education, Art Criticism, Art Education, Art History

Rosenzweig, Roy; Melosh, Barbara – Journal of American History, 1990
Describes oral history interviews conducted with artists and writers involved in New Deal arts projects. Describes the collections, analyzing biases and selection factors. Examines participants' attitudes toward government sponsorship of the arts, finding general approval of government patronage. Suggests that these oral histories help document…
Descriptors: Art Education, Art History, Bureaucracy, Cultural Activities