Presents a plan for teaching historiography through analysis of baseball cards. Explains that students can learn about society, culture, discrimination, and inference. Reports that the lesson increased student interest, motivation, and sensitivity to the importance of historical sources. (DK)

Explicates the fascinating origins (and conflicting versions thereof) for a number of well-known folk songs including, "Casey Jones,""John Henry,""Frankie and Johnny," and "Tom Dooley." Notes that source material on these and other songs is widely available through liner notes, folk song periodicals, and folklore journals. (MJP)

Considers the use of cultural images and symbols of Native Americans to reflect, interpret, and justify the westward expansion of the United States. Seldom overtly racist, paintings and lithographs of the time often presented a benign and romantic vision of the West. Includes suggested teaching ideas. (MJP)

Examines the personal views, research methods, and writing strategies of an author who specializes in books on labor history aimed at the young adult market. Discusses some of the work that went into biographies of Mother Jones, Rosie the Riveter, and Frances Perkins. Recommends an increased focus on labor history. (MJP)

Asserts that the writers and producers of the Canadian Broadcasting Corporation's documentary, "The Valour and the Horror," failed to assess Canadian Air Force actions in light of Allied war aims. Argues that the documentary series distorted the era and produced a false view of history. Gives specific examples of these claims. (CFR)

Maintains that fundamental historical concepts can be imparted to high school students through the use of photography, painting, film, literature, and other forms of popular culture. Provides many examples of students utilizing popular culture to understand conceptions of historical time, locate meaning, and empathize with historical people. (MJP)

Presents excerpts from the draft Statement of Claim filed by Canadian World War II veterans against the Canadian Broadcasting Corporation and others associated with the making of the documentary series, "The Valour and the Horror." Includes an overview and two examples of what the plaintiffs claimed were historical errors. (CFR)

Asserts that the writers and producers of the television documentary, "The Valour and the Horror," provided a false impression of an event to fit preconceived and erroneous interpretations of history. Points out specific examples of inaccurate historical presentations and provides contradictory historical interpretations. (CFR)

Provides an overview of the Canadian Senate report on the Canadian Broadcasting Corporation's (CBC) documentary, "The Valour and the Horror." Includes quotes from official hearings regarding the historical accuracy of the documentary film. Concludes that the CBC was not controlled adequately by its board of directors. (CFR)

Presents a lesson plan constructed around materials found in the User's Guide to the Federal Project. The Federal Theater Project produced radical and populist plays during the Great Depression before being de-funded by a conservative Congress. The lessons include activities and discussion built around the original plays. (MJP)

Describes a high school oral history project where the students investigated the culture, attitudes, and experiences embedded in the 1950s. The students discovered a harsh reality behind the popular nostalgia, a reality that included racism and sexism. Provides sample questions and quotes from the transcripts. (MJP)