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Huang, Yi-hui – Art Education, 2018
Photographic editing technology has led to a popular style among artists: digitally manipulated photographs. The manipulations include composites, syntheses, as well as alterations of color, shape, composition, and perspective. These manipulated photographs carry impressive effects and shock value, but more importantly, they communicate…
Descriptors: Photography, Art Education, Teaching Methods, Undergraduate Students
Bae, Jaehan – Art Education, 2013
Whaling emerged in ancient times, when whales served as a source of food, fuel, and other everyday resources that were vital for human civilizations. Prehistoric images of whales are found on rocks in a few areas throughout the world, most notably the famous petroglyphs at the Bangudae cliffs in Ulsan, South Korea, which depict whales and other…
Descriptors: Activism, Animals, Art Education, Art Activities
Ruich, Lawrence J. – Art Education, 2012
Children and burgeoning adolescents' creativity blossom in play-based environments. Likewise, students as active social agents have the opportunity to examine the structures and processes that shape them. The photographic image intimates an aura of credibility, providing the students pause to reflect upon their socialized interactions. These…
Descriptors: Photography, Play, Creativity, Environmental Influences
Herberholz, Barbara – Arts & Activities, 2011
Artworks are not produced in a vacuum, but by the interaction of experiences, and interrelationships of ideas, perceptions and feelings acknowledged and expressed in some form. Students, like mature artists, may be inspired and motivated by their memories and observations of their surroundings. Like adult artists, students may find that their own…
Descriptors: Art Products, Artists, Influences, Memory
Mulcahey, Christine – Teachers College Press, 2009
When children look at works of art they tell stories, share experiences, imagine, and explore. This book provides teachers with the skills, and freedom, to design rich and open-ended art experiences for young children. The author looks at the work of a variety of artists and offers guidance for using these artworks as taking-off points for…
Descriptors: Lesson Plans, Early Childhood Education, Young Children, Art
Roland, Craig – SchoolArts: The Art Education Magazine for Teachers, 2007
Symphony, as Daniel Pink defines it in his book "A Whole New Mind," is "the ability to put together the pieces" in a unified whole. It is the capacity to "see the big picture," to notice relationships between seemingly unrelated fields or things, to think metaphorically, and to invent something new by combining elements that nobody else thought to…
Descriptors: Web Sites, Art Education, Freehand Drawing, Interdisciplinary Approach
Horst, Carol – SchoolArts: The Art Education Magazine for Teachers, 2007
In this article, the author describes how her intermediate art class used silhouettes expressively and interpreted ancient and contemporary silhouettes in a personal way. The students analyze relationships of works of art to one another in terms of history, aesthetics, and culture, justifying conclusions made in the analysis, and using such…
Descriptors: Art Education, Art, Studio Art, Art History
Cantine, John; And Others – 1995
Filmmaking is a complex process involving many skills. This text attempts to demystify the process of filmmaking and make film technology accessible. Basic tools and techniques are explained for using either Super-8 or 16mm film formats; however, craftsmanship lessons are relevant and applicable to future technologies. The book is organized into…
Descriptors: Art Education, Film Production, Photographic Equipment, Photography

Laderman, Seth – School Arts, 1985
A technique for demonstrating the negative-positive relationship in photography without a camera or darkroom is described. (RM)
Descriptors: Art Activities, Art Education, Art Products, Elementary Secondary Education

Barrett, Terry; Desmond, Kathleen – Art Education, 1985
Techniques that teachers can use to involve art students in the critical examination of photographs are described. Given the opportunity and some guidance, students can and do engage in stimulating thought and talk about the art of persuasive photographs that confront them daily. (RM)
Descriptors: Art Education, Elementary Secondary Education, Learning Activities, Photographs

Kaupelis, Robert – School Arts, 1985
In this art activity students are asked to make drawings based on projected images of photographic slides. Teachers can project their own personal slides or the slides of old masters for the activity. It is a unique way to motivate students. (RM)
Descriptors: Art Activities, Art Education, Course Descriptions, Freehand Drawing

Browne, Martha – School Arts, 1985
An Artists-in-the-Schools program that involved a sculptor and a photographer in teaching fourth and fifth grade students about shadow and light is described. The arts program was interdisciplinary and involved the language arts of writing, reading, speaking, and developing vocabulary. (RM)
Descriptors: Art Activities, Art Education, Freehand Drawing, Interdisciplinary Approach

School Arts, 1985
The Pratt Institute in Brooklyn, New York, sponsors an annual search for the nation's most talented young artists. The purpose of the search is to identify and support through scholarships senior high students who wish to study at the institute. Winning entries from last year's search are reproduced. (RM)
Descriptors: Art Education, Art Products, Freehand Drawing, High Schools

Vitali, Julius – School Arts, 1990
Explains an experimental photographic technique starting with a realistic photograph. Using various media (oil painting, video/computer photography, and multiprint imagery) the artist changes the photograph's compositional elements. Outlines the phases of this evolutionary process. Illustrates four images created by the technique. (DB)
Descriptors: Aesthetic Values, Art Activities, Art Education, Art Expression
McDole, Thomas L. – 1983
Alternative curriculum strategies can be used to conduct an effective photography program without the expense usually associated with a darkroom. Three methods can be used to eliminate the need for a darkroom facility: outside vendors, an emulsion that can be user-processed without access to a darkroom (slide or transparency film), and emulsions…
Descriptors: Art Education, Classroom Techniques, Curriculum Development, Industrial Education