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Collett, Mary Jane – Music Educators Journal, 1991
Discusses the integration of aural, visual, tactile, and kinesthetic modalities into teaching to help at-risk students retain lessons. Suggests combining the "Learning to Read through the Arts" approach with sequential arts instruction. Recommends musical pieces to be used while students listen, discuss, and record their analysis of the…
Descriptors: Curriculum Design, Elementary Education, Experiential Learning, High Risk Students

Burnaford, Gail – Music Educators Journal, 1993
Asserts that music educators have special challenges and opportunities when considering an integrated or interdisciplinary curriculum. Discusses examples of interdisciplinary teams comprised of fine arts teachers working with teachers of social studies, literature, and other subjects. Includes illustrations of a thematic curriculum web and…
Descriptors: Class Activities, Curriculum Development, Curriculum Enrichment, Educational Strategies

Asmus, Edward; Haack, Paul – Music Educators Journal, 1996
Defines the role of the music specialist in designing and implementing a discipline-based music education program. Discusses team teaching and other collaborative efforts between the specialist and the classroom teacher. Includes a discipline-based teaching checklist and selected readings for thematic teaching. (MJP)
Descriptors: Discipline Based Art Education, Educational Cooperation, Educational Practices, Educational Theories

Goodson, Carol Ann; Duling, Ed – Music Educators Journal, 1996
Examines specific approaches and strategies for teaching discipline-based music education (DBME). DBME incorporates history, aesthetics, and criticism into traditional music education. Discusses creating a DBME unit, what questions to ask, and what resources to use. Includes a sample approach. (MJP)
Descriptors: Curriculum Development, Discipline Based Art Education, Educational Practices, Educational Theories