Action research is an empowering experience for educators, yet many believe that they do not have the time, resources, or knowledge to make it a worthwhile experience. What do you need to know to feel confident in making action research a method of bettering your teaching and your students' learning? This article reveals how to make this process…

Hushed melodies have been known to lull infants to sleep; preschoolers can memorize the alphabet through song; marching bands arouse patriotism; and choirs inspire spiritual renewal. Music educators are well attuned to the power of music to alter mood, provide motivation, and link learning. Yet, music often has been viewed in educational settings…

Contends that strengthening the relationship between university departments or schools of music and K-12 music programs will improve music programs at all levels. Discusses the goals and structure of the Partnership in Musical Excellence program that has linked the School of Music at Ohio State University and several Ohio school systems. (DB)

Discusses the student teaching experience for future music teachers. Suggests that the quality of the experience is influenced by the school site, the cooperating teacher, the process found at different points of the school year, and the relationship formed between the student and the cooperating teacher. Suggests a partnership between public…

Explains the teaching-research method of instruction that employs the teacher and students as collaborative partners in the learning process. States that students attain knowledge through assimilating experiences in ways that are most meaningful for them. Case studies are included. (GG)

Contends that the nature of U.S. urban life has created profound challenges for urban schools. Asserts that music educators must examine innovative trends in policy, programming, and curricula to determine how music can contribute to better schools and a better quality of life in urban areas. (CFR)

Urges music educators and music therapists to cooperate in providing motivation for at-risk students through specially planned activities. Identifies means of meeting the risks of (1) lack of self-discipline and motivation; (2) not learning effectively; (3) alcohol and drug abuse; and (4) focus on rudimentary survival skills. (DK)

Argues that if discipline-based music education is to be successful, change initiatives must take place at all levels of instruction. Discusses the collaborative efforts necessary to accomplish this. These include coordinated efforts among state departments of education, higher education and K-12, performing arts centers, teacher and professional…

Defines the role of the music specialist in designing and implementing a discipline-based music education program. Discusses team teaching and other collaborative efforts between the specialist and the classroom teacher. Includes a discipline-based teaching checklist and selected readings for thematic teaching. (MJP)

Contends that an obsession for competition has permeated all aspects of society, including the artistic environment. Maintains that competition works against creativity and individual development. Recommends eliminating music contests and other competitive practices at the school and college levels. (CFR)

Reports on a "What Works Workshop," held at Ball State University, Muncie, Indiana. Explains that the program brought together researchers and music teachers to explore problems of applying research findings to music classroom practice. Examines examples of research utilization that the workshop clarified. Lists strategies that workshop…