A teacher describes what happened when she discovered that a blind student had been mainstreamed into one of her fifth-grade art classes. (RM)

Instructional strategies based on a portrait painting of Jean-Baptiste Oudry familiarize intermediate grade students with the techniques of portraiture and introduce the characteristics of eighteenth-century French rococo painting. (RM)

Provides a lesson to familiarize students in grades four-six with the many ways that artists use the technique of collage. Students observe and discuss ways artists make use of materials other than paint on canvas. Examines how the introduction of foreign materials to a surface affects the illusion of space. (LS)

A model for the teaching of aesthetic dialogue to intermediate grade students is presented. One outcome of children discussing the aesthetic structure of art is that they transfer this learning and structure to other areas of their life. (Author/RM)

This lesson plan introduces students (grades four-six) to Creole New Orleans architecture exemplified by "Sun Oak" in the Faubourg Marigny section of the city. Students will learn architectural terms; use line and shape in relation to architectural details; discuss why buildings work architecturally; and draw an historic building using…

Provides a lesson for grades four-six that develops students' ability to analyze a piece of furniture as a work of art which reflects the historical, social, and artistic values of the society that produced it. Students design their own chair based on the user's lifestyle, the chair's precise use and location, and the materials used. (LS)

Provides a lesson plan designed to introduce students in grades four-six to the concept of social realism as it is portrayed in twentieth century Latin American art. Uses Antonio Berni's "Noon Time" in implementing instructional strategies which enhance analysis, interpretation, and judgment. Suggests a creative activity for studying…

Contends that aesthetics can be be made understandable and relevant to students. Describes a classroom lesson in which middle school students learned about aesthetic theory through a hands-on activity. Includes instructional procedures and suggested art works for the activity. (CFR)

Presents a sequential curriculum in design education focusing on product design embodying conceptual statements to guide instruction. Discusses conceptual statements for primary, intermediate, and middle school levels. Concludes that the study of design must be an integral part of the art curriculum. (CFR)

Briefly discusses the role that rites of passage play in traditional cultures and considers the possibilities inherent in incorporating this social concept into middle school art projects. Defines middle school as a transitional stage in adolescent development characterized by institutional and personal separation that lends itself to these…