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Gillian Judson – Journal of the Scholarship of Teaching and Learning, 2023
This article describes my tumultuous journey as a course instructor and researcher investigating imagination in an educational leadership graduate seminar. I employ an arts-based pedagogy and research methodology known as Performative Inquiry. Sharing my experiences delivering this course informs my future teaching and can support colleagues…
Descriptors: Graduate Study, Leadership Training, Imagination, Inquiry
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Enoch, Jessica; Jack, Jordynn – College English, 2011
Remembering Sappho, from a pedagogical perspective, usually means that teachers bring recovered women's rhetorics into the classroom, prompting students to come to know women as rhetorical agents by analyzing the rhetorical strategies they used to make their voices heard. Teaching women's rhetorics in this way works toward the ultimate goal of…
Descriptors: Higher Education, Rhetoric, Females, Feminism
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Torres-Olave, Blanca Minerva – Comparative Education Review, 2011
This article examines the ways that students and professors imagine the space of higher education and thus shape their relationship to the larger academic community. Data come from a "Lengua Inglesa" program in northern Mexico. The findings reveal that personal and community histories, family networks, media, and migration converge to…
Descriptors: Foreign Countries, Higher Education, College Faculty, College Students
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Kebede, Alem – Teaching Sociology, 2009
Sociological imagination is a quality of mind that cannot be adopted by simply teaching students its discursive assumptions. Rather, it is a disposition, in competition with other forms of sensibility, which can be acquired only when it is practiced. Adhering to this important pedagogical assumption, students were assigned to write their…
Descriptors: Social History, Imagination, Autobiographies, Sociology
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King, Nancy – Harvard Educational Review, 2007
Early in her life, Nancy King discovered that stories are rich sources of wisdom, imagination, creativity, and comfort. In this essay, King describes her personal experiences developing and using the collaborative storymaking process with young people and adults in various school settings. The author states that collaborative storymaking…
Descriptors: Story Telling, Personal Narratives, Cooperative Learning, Creativity
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Shi, Fuqian; Wei, Jincai – International Education Studies, 2008
In the current teaching activities on curriculum, teachers taught all kinds of computer language at the most of the time. Students also focus on a variety of examinations, but the real time to train students' independent software developing skill is very limited. This has resulted in the students only to copy other people's systems design ideas,…
Descriptors: Programming, Creative Thinking, Creative Development, Science Activities
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Atkinson, Dennis – British Educational Research Journal, 2004
This article investigates the forming of student teacher identities in initial teacher education. By analysing student narratives of school experiences the article argues that although reflective, reflexive and critical discourses are helpful interrogatory tools, they presuppose a prior subjectivity which fails to acknowledge the idea that it is…
Descriptors: Student Teacher Attitudes, Identification (Psychology), Preservice Teacher Education, Student Teachers
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Cartwright, Patricia; Noone, Lynne – College Quarterly, 2006
In this paper we consider the aspect of teacher education which takes place, not in the school, but in the university classroom. Teaching about teaching, it is argued, must be grounded in students' understanding of the present, but must foster both hope and critique. Beginning from Maxine Greene's (2000) concept of imagination, this paper develops…
Descriptors: Preservice Teacher Education, Imagination, Critical Theory, Teaching Methods
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Colwell, Richard – Arts Education Policy Review, 2006
At present, there appear to be only two prerequisites for entry into a music teacher education program at most institutions: a minimum academic grade point average and sufficient musical competence to be admitted to the school of music. These seem overly minimal, and serious suggestions have been made regarding additional essential requirements.…
Descriptors: Music Teachers, Cultural Background, Teacher Education Programs, Intellectual Development