The Egyptian architect Wissa Wassef believed artistry in crafts to be an innate human characteristic that would be universally expressed under the right conditions, i.e., the practice of the craft from early childhood. When he had Egyptian peasant children with no previous art experience weave tapestries, the results astounded the world. (RM)

Rice can be the basis for mosaics, flower arrangements, games, toys, and many things children would like to make. It can add new dimensions to making candles, coasters, and jewelry. Working with rice can aid in the development of appreciation of texture, symmetry, coordination, imagination and, at the same time, result in hand-made gifts for…

Onfim's drawings, discovered in a medieval town in northern Russia in 1951, are the earliest known child drawings in existence. The history of these early 11th century drawings is described here by a Russian archaeologist. (RM)

An art activity which involved elementary students in making coiled clay constructions is described. (RM)

There are different types of copying, some involving artistic behaviors and some not. It is important to differentiate these types, separating the replication of conventions from more inventive artistic behaviors. A framework for such examination is applied in a group of pilot studies involving children copying comic strips. (Author/RM)

In this art activity elementary students are asked to design their own alphabet, not just by streamlining the letters they regularly use, but by inventing new letters. (RM)

There is a connection between personal and social violence. Described is a project which made elementary children aware of this connection. Children were involved in discussions that focused on their personal experiences and asked to express their feelings in pictures. (RM)

A first-grade teacher describes how she taught her students to weave using real yarn. (RM)

Little League and art education are trying to justify themselves by forcing precocity on children. Children are entitled to learn in their own most effective ways. (RM)

Pictograms--assemblages of geometrical shapes that represent parts of the body--simply and vividly show how the body moves. They can be used to help elementary students draw larger figures and have confidence in drawing people. The pictograms also encourage children to look at shapes and details that artists use. (RM)

Connecting art and language arts, this guide offers creative lessons for more than 140 favorite children's books, most of which have been published within the last 10 years. The lessons help teachers inspire students in grades K-5 to create art projects related to a book's story. In the first part of the book, the author explains more than 50 art…

This book provides tools for educators to help children respond to traumatic events with resiliency and hope. Created as an extension of the "9/11 As History" initiative, the book provides an overview of 16 unique lesson plans created for children from pre-kindergarten through the 12th grade. It also contains selections from the writings…

Described is an art course in which fifth-grade students made masks using low fire whiteware as the medium. (RM)

Art activities, three for elementary students and one for secondary students, are described. Elementary students develop an autobiobox (a visual autobiography in a container), learn to draw trees in a meaningful way, and do human figure drawing; secondary students study and duplicate cast shadows. (RM)

This book collects the thoughts of some of the world's most astute observers of child art. Essays in the book include: (1) "Art as a Unifying Principle in Education" (Sir Herbert Read); (2) "Stages of Development in Preschool Art" (Rhoda Kellogg); (3) "Child Art and Visual Thinking" (Rudolf Arnheim); (4) "The Mental Foundation of Art Education in…