Draws a parallel between cultural artifacts that both entertain and enlighten and the educational experience which must be both engaging and accessible. Uses the making of the film, "Casablanca," as a model noting the creative, flexible, and collaborative work that occurred within a fairly rigid system. (MJP)

Describes a cooperative effort between academics and content area specialists to create a more student-oriented curriculum. Uses classroom observations, artifacts, field notes, dialog sessions, and surveys to document reactions to this change. Initial reception from the students proved very positive. Teacher intransigence was overcome later. (MJP)