Contends that teaching music history has traditionally focused on five eras of Western music. Relates these periods to concepts of form, space, and understanding. Acknowledges that music education has been ethnocentric and recommends a more universal music education. (CFR)

This paper presents ways art educators can participate in a more holistic approach to education. The document outlines the following premises: (1) students will be consumers of art and determine what art they choose to consume, which requires a systematic and thorough grounding in critical evaluation if they are to make good decisions; (2)…

This course of study was developed for high school students in the Defiance (Ohio) public schools who are talented and gifted in music, providing for an indepth and sequential development of skills and concepts. The program's philosophy stresses that, while the products of the arts are important, a need exists to emphasize the learning process as…

Asks the questions (1) what is critical thinking in music?; (2) why is it so important that we engage students in it?; and (3) what does it have to do with music education? Answers these questions and elaborates on the notion of critical thinking as an educational goal and tool. (MJP)

Describes the production of operas in a second-grade classroom. Explains how the project requires an interdisciplinary approach to learning. Contends that elementary, secondary, and even higher education students would benefit from this activity. (CFR)

Explains what music teachers can do in the classroom to promote and develop elementary school students' attention to music learning, listening, and comprehension. States the manner of presentation is critically important. Includes guidelines for classroom teaching and describes various class activities. (NL)

Provides fully developed library media activities that are designed to be used with specific curriculum units. Highlights include elementary school activities for music appreciation and physical education, reading and language arts, and science; and secondary school activities for science and social studies. (LRW)

This book focuses on how teachers can guide children to acquire ownership of musical concepts through their personal construction of knowledge. It is intended for teachers of grades K-3, music educators, and preservice teachers. The book contends that music and movement are important to the development of the whole child and can be integrated…

Developed to acquaint students with the Honolulu (Hawaii) Youth Symphony Concerts program, this booklet focuses on information and activities to help make concert attendance meaningful and enjoyable for students. Goals and learning concepts are described, and information about each of the symphony's musical instruments is included. The chronology…

This syllabus/handbook is designed to aid teachers and administrators in developing a music course to meet the New York State Commission of Education's requirements for a one year high school Music In Our Lives (MIOL) class. This class encompasses the areas of listening, performing, composing, using basic tool skills, and developing special…

Maintains that senior citizens and children are at opposite ends of the time line, but have common needs. Contends that intergenerational music programs provide benefits to both. Describes a successful intergenerational program involving elementary-age choral groups and senior citizen groups. (CFR)

Contends that music education for adult learners is an important educational trend. Discusses the special needs and concerns of adult learners. Recommends approaches to setting up adult music learning centers. (CFR)

A series of class exercises for Italian language instruction based on a song, "La Vita Mia" by Amedeo Minghi, is presented. The song was selected because of its rich literary content and appealing melody. Objectives, in-class activities, and homework assignments are outlined. In them, students listen to the song, discuss the relationship…

The introduction for this Alberta (Canada) music education guide offers reasons for students to study the fine arts at the secondary school level. A philosophy of music education is presented along with 5 key outcomes and 11 music appreciation expectations for secondary students to attain. The volume features wind and percussion instruments. The…

Provides a thorough overview of middle school guitar instruction discussing both private and group lessons. Considers the role of the guitar as both a solo instrument and in ensemble and orchestra. Includes curricular guidelines for a beginning guitar course and a sample list of songs for a final recital. (MJP)