An exploration of the creative process in painting and musical composition, this kit, for use with grades 4-8, provides a structured plan that can extend over several class periods. In "Looking At Art," concentration is on one landscape painting with comparisons to related works. Historical and visual components are analyzed and works are placed…

Arguing that remedial/developmental students' lack of exposure to the fine arts relegates them to a permanent underclass within the student body, this paper describes the use of poetry, music, and other materials drawn from the fine arts in a remedial writing class. After presenting a rationale for including artistic concerns in the developmental…

This source book provides songs, activities, ideas, and hints on how to use folksongs with children. The book contains 30 folksongs and over 140 accompanying activities. The simplest activities work well for preschool children with the most complicated design for 10- or 11-year-old children. Each activity utilizes one of the 30 songs and supports…

This text consists of a series of classroom handouts created over a two-year period as a supplement to the text used in a junior college music and visual arts appreciation course. These materials are designed to be presented in a one-quarter course in fine arts appreciation for nonmajors who are unlikely to take further courses in either music or…

Using music and the visual arts as stimuli in the teaching of short story writing, the six-week course described in this guide is designed to improve students' appreciation of elements common to these art forms and to increase their use of these elements in their creative writing. The guide points out that attitude surveys have shown that these…

This booklet provides a brief overview of the fine arts curriculum and a detailed explanation of the music education program for the state of Texas. The overview of the music curriculum includes the rationale and the scope and sequence for elementary and secondary education. The special music programs for junior high are general music, band,…

A year-long music instruction unit introduces students to information about the lives of nine great composers of the classics and to their works. Each month a different composer is featured. No special training for teachers is necessary. (PP)

Reports on a study of 50 undergraduate nonmusic majors to determine the relationship between world music preferences and multicultural attitudes. Finds support for the view that social/cultural attitudes play a role in world music preference. Discusses implications of the study for music teachers. (CFR)

Administers an experimental college version of the Musical Aptitude Profile (CMAP) and 2 motivation measures to 187 nonmusic majors in a music appreciation course. Eliminates CMAP results from analysis resulting from low reliability. Includes data table that were significantly related. (NL)

This monograph focuses on the relationship between pre-adult socialization in the arts and subsequent arts participation, as measured in the data collected in the 1992 Survey of Public Participation in the Arts (SPPA) conducted by the U.S. Census Bureau. The study aims to increase understanding of art socialization experiences as they relate to…

Oregon's common curriculum goals for music education, an area of study that addresses the components of valuing music, developing music literacy, performing music, and creating music are presented. An overall goal for each one of these four strands is established, and then the content specific knowledge and skills that students should possess by…

Asserts that study of the arts fosters the type of divergent and creative thinking needed in both the business world and society. Argues that educators should work together to develop schedules of eight instructional periods allowing for more arts instruction. Considers requiring arts courses for graduation from high school. (MJP)

Describes a middle school program in which students create and produce an original opera. Describes the interdisciplinary learning acquired as students created music, dialog, sets, and costumes. Contends that the project was an exciting and rewarding experience for students and teachers. (CFR)

Describes the role of arts education and, specifically, music education in Japanese schools. Outlines the music curriculum and teaching methods in elementary and secondary schools. Describes the role of western music and compares music education in Japan and the United States. (CFR)

Explains how the ear and the brain work together to make music listening possible. Argues good hearing does not ensure skilled listening, stressing that listening is a mental process. Examines the aural process and properties of sound, and describes listening behaviors within the basic levels of auditory processing. Provides a guide for teaching…