This manual was designed to accompany a computer software resource (Macintosh diskette and three CD-Rom discs) aimed at helping students with no previous musical knowledge, develop specific comprehension skills in classical music. The materials are based on the premise that conventional musical forms are abstract prototypes of whole classes of…

The author notes a growing trend toward the inclusion of world musics at both the elementary/secondary and higher education levels. He presents a rationale for studying world musics and cites the importance of giving students an understanding of cultural context in such study. (SJL)

The author considers the appropriate content of a "music appreciation" course and how both the diversities and commonalities of the world's musics can be presented in terms of the basic concepts of rhythm, harmony, melody, timbre, intensity, and form. (SJL)

Suggests that music listening and musical concepts such as tempo, melody, and form can be taught to students of any age by programed tapes with accompanying study guides. Provides instructions for recording such a tape and discusses appropriate content for the study guide. (SJL)

Raises concerns about the music educator's approach to teaching pre-kindergarten children. Proposes a pre-kindergarten music curriculum model based on a synthesis of theories about the learning environment with the contributions of learning/play theorists and music educators. Provides a global to specific approach to interactive play periods. (LS)

Critiques musical learning in school bands, and points out the need to teach more than performance skills. Encourages band directors to use comprehensive musicianship teaching techniques, suggesting methods to help band students think musically. Provides workable, specific strategies for rehearsals. (LS)

Reports on a study of music listening preferences among undergraduate college music majors, high school musicians in performance groups, and sixth-grade students in eight U.S. sites. Finds instrumental biases among high school and college musicians' preferences for relatively unfamiliar classical music. (CFR)

Reports on a study of third-, fourth-, and fifth-grade students to identify and conceptualize meter in music. Finds that ability to perform these tasks improves with maturity and with use of hand gestures as well as verbal response. Concludes that it is important to match curriculum with the developmental levels of students. (CFR)

This curriculum for Alberta Canada Schools provides for students to grow and develop as performers, listeners, evaluators, historians, and composers of music. An overview is provided for the senior high school choral music program and includes information concerning developmental concepts and the required/elective components of high school music…

This weekly syllabus designed for teachers in small schools in Australia uses the Kodaly singing-based approach to teach music skills to students in primary years one through seven. The program divides instruction into four units: year one, years two-three, years four-five, and years six-seven. Teaching plans for each unit contain learning…

This music curriculum catalog contains a current listing of music education curriculum materials available upon request from state supervisors of music. The catalog provides a compendium of the latest music curriculum materials for music educators involved in planning, writing, revising, or evaluating music curriculum. The catalog contains entries…

This document is a guide to print and nonprint materials about Georgia and Georgians. Entries are arranged under the subject headings used in "Essential Skills for Georgia Schools." Criteria for inclusion were appropriateness for K-12 students and commercial availability of the item. Six books containing pictorial and photographic…

Outlines a variety of activities incorporating celebration and study of the Olympic Games into the music curriculum. Suggested activities are separated by elementary, middle school, and secondary levels. Includes a list of Olympic music recordings. (MJP)

Recommends incorporating singing activities as an instructional component of orchestra and band rehearsals. Notes that singing helps students develop aural skills, learn sight-reading, and make connections between the basic elements of music theory and the practical application of these elements. Also includes suggested activities. (MJP)

Expresses concern that students need to be exposed to many musical options. Reports on a study of 242 high school students in select and nonselect choral ensembles. Finds that both groups prefer popular music over other genres and that nonselect choir members rated country music higher than select choir members did. (CFR)