Outlines four dual art and computer-art lessons, presenting lesson objectives, activities, and suggested instructional strategies. The lessons focus on the usefulness of shared images, how moving an object affects its shape, creating the illusion of depth on a two-dimensional surface, and the relationship of parts to the whole. (JN)

Intermediate and junior high school art students learn to create vertical stripe designs in this introductory lesson which teaches about complementary colors, value contrast, symmetry, and texture. (RM)

Instructions are given for creating earth dyes in the classroom. These dyes be used in the teaching of social studies, science, and art. A chart listing sources of natural dyes is offered. (DF)

A student arts festival that involved elementary and secondary students in drawing with chalk on a city block in New York City is described. Portraiture, cartoons, landscapes, abstractions, and inventive personal logos filled the huge canvas of the street in a virtual smorgasbord. (RM)

High school students in an advanced ceramics class made chess sets, using a wood pattern to make pawns for the sets. The class found that using a pattern increased efficiency and speed. (RM)

To help them get the cylindrical shape necessary for making pottery beer mugs, high school art students used flexible armatures stuffed with vermiculite. (RM)

Discusses the importance of both sides of the brain for the development of drawing skills but notes that the left brain can inhibit the action of the right brain. Provides a discussion of cerebral lateralization and child development. Suggests five drawing exercises to help develop hemispheric cooperation. (SB)

In this art activity, eighth grade students use charcoal to draw space art. This versatile medium helps the students see and use dark and light in their forms to show real space and depth. (RM)

Art activities, three for elementary students and one for secondary students, are described. Elementary students develop an autobiobox (a visual autobiography in a container), learn to draw trees in a meaningful way, and do human figure drawing; secondary students study and duplicate cast shadows. (RM)

Though every art student should have a chance to do photography, expenses have kept photography out of the art curriculum. Inexpensive pinhole photography can be the answer. Describes the pinhole camera and its construction, setting up the darkroom, using the camera, and print processing. (CS)

Attempting to create something different is stimulating and challenging. With this in mind, the author introduced a clay-building project in which students created a functional coil container different from any they had ever seen. (Author/RK)

This book collects the thoughts of some of the world's most astute observers of child art. Essays in the book include: (1) "Art as a Unifying Principle in Education" (Sir Herbert Read); (2) "Stages of Development in Preschool Art" (Rhoda Kellogg); (3) "Child Art and Visual Thinking" (Rudolf Arnheim); (4) "The Mental Foundation of Art Education in…

This book offers a wide variety of easy-to-make crafts, including toys, games, and gifts, and each project begins with a box. The book provides directions, a materials list, and suggestions for setting aside a work area. The projects are illustrated with large full-color photographs and explained with simple step-by-step instructions. Contains a…

There is a natural progression from making single objects to creating sculpture. By modeling the forms of objects like funnels and light bulbs, students become aware of the quality of curves and the edges of angles. Sculptural form in architecture can be understood as consistency in the forms. (CS)