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Barrell, M. Kay – 1991
This handbook is designed for specific use by performing arts presenters and touring companies. These companies pose an immense range of production requirements and challenges to a presenter. The book stresses the basics of technical production with an emphasis on presenting dance. Dance has more inherent pitfalls in its production requirements,…
Descriptors: Dance, Drama, Guidelines, Guides
Texas Education Agency, Austin. Div. of Curriculum Development. – 1984
Intended to help administrators and theatre teachers provide a theatre arts program accessible to disabled actors, technicians, and audiences, the guide focuses on ways to alleviate limitations in the theatre. The following topics are addressed (sample subtopics in parentheses): awareness (use of improvisations and simulations); acclimatization…
Descriptors: Accessibility (for Disabled), Audiences, Disabilities, Drama
Foster, Cass – 1990
Developed for theaters or classrooms that wish to present abbreviated versions of Shakespeare's plays without changing the language, this book presents an edited version of "Romeo and Juliet" suitable for presentation in one hour. The book also presents an affordable set design, sound and prop requirements, costume suggestions,…
Descriptors: Audiences, Elementary Secondary Education, Production Techniques, Theater Arts
Potter, Douglas – Secondary School Theatre Journal, 1980
Presents a list of suggestions for developing a cooperative relationship among the various specialists who are involved in a high school musical production, such as "Hair." (JMF)
Descriptors: Dramatics, Production Techniques, Secondary Education, Theater Arts
Brown, Bob – Secondary School Theatre Journal, 1980
Outlines how Bishop Walsh High School in Cumberland, Maryland, solved the problem of staging a multiset musical, "Guys and Dolls," on a circular thrust stage with no curtain, by using four four-sided rolling variations of the Greek "periaktoi," tall column-like structures whose faces can be painted with scenic elements. (JMF)
Descriptors: Dramatics, Production Techniques, Secondary Education, Stages (Facilities)
Wilson, Edwin – 1994
Based on the idea that the focus of theater is human beings and thus that theater can be related to experiences already familiar to students, this book aims to provide both instructors and students with informative, incisive, and pleasurable knowledge about the theater. The book is divided into 6 parts and subdivided into chapters within each…
Descriptors: Audiences, Higher Education, Playwriting, Production Techniques
Colorado State Dept. of Education, Denver. School Effectiveness Unit. – 1993
This booklet offers guidelines for theater directors, activities directors, club sponsors, and school administrators to ensure the production of "bias-sensitive" performances that avoid presentation of bias based on gender, race, ethnicity, national origin, age, disability, or sexual orientation. The booklet: (1) discusses the issue of…
Descriptors: Audience Awareness, Bias, Elementary Secondary Education, Production Techniques
Slein, Tracy – Quill and Scroll, 1982
Argues that good criticism of school dramatic productions requires an open mind and sensitive observation, not preconceived notions and extreme language. (HOD)
Descriptors: Drama, Evaluation Criteria, Journalism Education, Production Techniques
Cheatham, Val R. – Teacher, 1980
This article presents guidelines to the elementary teacher for producing a class play. The script for a short adaptation of "Alice in Wonderland" is appended on pages 47-49. (SJL)
Descriptors: Class Activities, Drama, Dramatics, Elementary Education
McCarthy, Danny; Suggs, Del – Campus Activities Programming, 1993
Campus activities programers are encouraged to use creativity and to experiment in incorporating solo, or easily produced, acts into campus events. Ideas include using solo acts as openers or as part of larger special or traditional events. A sample campus survey, designed to discover campus preferences, is included. (MSE)
Descriptors: Extracurricular Activities, Higher Education, Planning, Production Techniques
Bokor, Pierre – 1991
This monograph (in French) provides Alberta teachers with information relating to teaching about the world of the theater, and discusses the principal elements to be considered in mounting a theatrical production. It is intended for French language dramatic arts teachers (both in immersion courses and French-speaking schools). The monograph's four…
Descriptors: Cultural Activities, Foreign Countries, Immersion Programs, Production Techniques
Bardwell, Bruce Alan, I; Watt, Willis M. – 1994
Theater artists/practitioners have for many years relied on their natural creative abilities in designing makeup, lights, sound, costumes, and sets. Theater researchers believed the scenographer must create a series of dramatic physical settings that blended into a complete revaluation of the playwright's story. However, the nature of the creative…
Descriptors: Creative Expression, Design, Higher Education, Models
Potter, Douglas – Secondary School Theatre Journal, 1983
Presents guidelines and activities for radio theatre production. Covers playwriting, production techniques, skits, and improvisations. Includes an opening segment of a script adapted for radio of Chekhov's "A Marriage Proposal." (PD)
Descriptors: Acting, Creative Dramatics, Drama, Playwriting
Litherland, Janet; McAnally, Sue – 1996
Adhering to the rule that "costumes are not clothes" and listing 100 musicals under 8 general categories, this guidebook applies a "crossover system" whereby costumes from one show can easily be altered for any other show within the same category. The eight costume styles used in the guide are labeled: Medieval/Shakespearean;…
Descriptors: Clothing Design, Creative Activities, High Schools, Higher Education

Ratliff, Gerald Lee – 1997
With five basic exercises presented in this paper as a guide, instructors and students can gain an immediate awareness of the performance and staging principles in Reader's Theatre which may be used creatively to visualize literature so that it becomes "alive" in the imagination of the readers as well as the listener. The paper begins…
Descriptors: Class Activities, Dramatics, Elementary Secondary Education, Literature Appreciation