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Myers, Norman J. – Secondary School Theatre Journal, 1984
Describes an effective technique the author uses in college productions to combat staleness in rehearsals and to help actors make new discoveries about their roles. (PD)
Descriptors: Acting, Drama, Dramatics, Higher Education

Raphael, Bonnie N. – Communication Education, 1984
Tells how actors can be taught stage dialects. Covers pre-rehearsal procedures, auditions, initial dialect sessions, and rehearsal procedures. Includes a bibliography of standard texts and recorded materials. (PD)
Descriptors: Acting, Annotated Bibliographies, Higher Education, Rehearsals (Theater Arts)
Whelan, Jeremy – 1994
This guide presents a technique for actors for getting into character spontaneously. Certain sections of the book address the actor, others address the director, and some make no distinction. The actor-director relationship is addressed as complex and critical to this acting approach. Suggestions are given for using this approach with children.…
Descriptors: Acting, Dramatics, Elementary Secondary Education, Higher Education

Remes, Carol; Tift, Jana – College Teaching, 1988
The most popular liberal arts elective offered during "Interim," a three-week intensive study semester given at the Fashion Institute of Technology, is described. Course origin, concept and format, course instructor, department coordinator, and course modifications are described. (MLW)
Descriptors: Clothing Design, College Instruction, Course Descriptions, Curriculum Development
1992
Expanded by more than 40% over previous editions, this directory provides accurate contact information for practitioners and teachers affiliated with organizations with proven records of production, publication or promotion of or service to the national theatre community. The first section of the directory provides an alphabetical listing of over…
Descriptors: Higher Education, Professional Personnel, Theater Arts
Wilson, Edwin – 1994
Based on the idea that the focus of theater is human beings and thus that theater can be related to experiences already familiar to students, this book aims to provide both instructors and students with informative, incisive, and pleasurable knowledge about the theater. The book is divided into 6 parts and subdivided into chapters within each…
Descriptors: Audiences, Higher Education, Playwriting, Production Techniques
Borchardt, Donald A. – 1983
To provide both an enriching theatre experience for students and faculty and new opportunities for women artists, the Department of Theatre Arts and Speech at Rutgers, the State University of New Jersey at Newark held a competition for new plays by New Jersey women playwrights. The winning play, Leni Hamilton's "The Fortress," a story of…
Descriptors: Cultural Activities, Drama, Dramatics, Enrichment Activities

Swortzell, Lowell – English Journal, 1987
Discusses the quality and value to students of recent Broadway plays. Noting that dramatic output is limited in size and content, recommends the use of an international English-language repertory for the education of young students. Cites British, Australian, Canadian, Caribbean, African and South African authors. (JG)
Descriptors: Drama, English Curriculum, English Instruction, Higher Education

Eggers, Walter F., Jr. – College English, 1979
Describes an approach to teaching dramatic texts based on an attempt to help students contextualize, to educate their expectations. (DD)
Descriptors: Drama, Higher Education, Literary Perspective, Literature Appreciation
Matthews, Thomas E. – Campus Activities Programming, 1987
Original documents, artist's riders, technical riders, and sponsor's riders all go into a contract for a performance and they are all negotiable. Common practices used in negotiating contracts and riders with performing artists for a campus activities program are discussed. (MLW)
Descriptors: Artists, College Administration, Contracts, Extracurricular Activities
Pierini, Paul Francis – Momentum, 1984
Describes Holy Names College's Children's Theatre program for children in underprivileged areas. The program consists of a "What-to-Look-for-in-a-Play" demonstration, the production itself, and creative dramatics sessions arising from the demonstration and production. (DMM)
Descriptors: Catholic Schools, Creative Dramatics, Disadvantaged Youth, Elementary Education

McKeen, William – Journalism Educator, 1980
An American press history teacher develops student interest in his topic by masquerading as major personalities in the history of journalism. (RL)
Descriptors: Acting, Characterization, Higher Education, History

Hodes, Stuart – Design for Arts in Education, 1989
Explains that an important aspect of dance history is lost by not recording dance rehearsals. Argues that recording rehearsals can reveal the creative process and illuminate the environment that engendered this art form. Concludes that a transformed dance history will influence curriculum development. (GG)
Descriptors: Creative Development, Curriculum Development, Dance, Dance Education
McCarthy, Danny; Suggs, Del – Campus Activities Programming, 1993
Campus activities programers are encouraged to use creativity and to experiment in incorporating solo, or easily produced, acts into campus events. Ideas include using solo acts as openers or as part of larger special or traditional events. A sample campus survey, designed to discover campus preferences, is included. (MSE)
Descriptors: Extracurricular Activities, Higher Education, Planning, Production Techniques
Association for Communication Administration, Annandale, VA. – 1983
Intended to aid theatre administrators as they attempt to exchange information, high school and college faculty members as they advise students on the availability of suitable programs, and students of theatre as they seek programs appropriate to their needs, this directory groups theatre programs by state and lists them alphabetically. Each entry…
Descriptors: Academic Advising, College Programs, Directories, Doctoral Programs