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Railean, Elena, Ed.; Alev Elçi, Ed.; Elçi, Atilla, Ed. – IGI Global, 2017
Metacognition plays an important role in numerous aspects of higher educational learning strategies. When properly integrated in the educational system, schools are better equipped to build more efficient and successful learning strategies for students in higher education. "Metacognition and Successful Learning Strategies in Higher…
Descriptors: Metacognition, Learning Strategies, Higher Education, Sustainability
Tafazoli, Dara, Ed.; Gomez Parra, M. Elena, Ed.; Huertas-Abril, Cristina A., Ed. – IGI Global, 2018
The ability to effectively communicate with individuals from different linguistic and cultural backgrounds is an invaluable asset. Learning a second language proves useful as students navigate the culturally diverse world; however, studying a second language can be difficult for learners who are not immersed in the real and natural environment of…
Descriptors: Cultural Differences, Cultural Awareness, Culturally Relevant Education, Educational Technology
Getty Center for Education in the Arts, Los Angeles, CA. – 1993
This publication contains proceedings of a seminar structured around five basic themes: (1) cultural diversity in education; (2) discipline based art education (DBAE) and cultural diversity; (3) how cultural diversity has affected practices in art history, aesthetics, criticism, and art making; (4) experiences in other disciplines which effect…
Descriptors: Aesthetic Education, Art Criticism, Art Education, Art History

Lankford, E. Louis; Marantz, Kenneth, Eds. – Art Education, 1985
The winning limericks in the First Artful Banter Limerick Contest are presented. Rules for art teachers who would like to enter the second contest are also included. (RM)
Descriptors: Art Education, Elementary Secondary Education, Higher Education, Teacher Developed Materials
Herberholz, Donald; Herberholz, Barbara – 1994
This text is designed for use by college and university students who plan to teach art to children. After an introduction that briefly explains the four components of discipline-based art education, the text is organized in six chapters. (1) "Artists and the Images They Make" introduces students to ideas about how several specific…
Descriptors: Aesthetics, Art Activities, Art Criticism, Art Education

O'Connell, Ken – School Arts, 1985
How college art students made drawings using color is described. The activity helped the students analyze how they drew lines, shadows, and highlights. (RM)
Descriptors: Art Activities, Art Education, Color, Course Descriptions

Hamblen, Karen – Art Education, 1985
Described is a college-level art activity that teaches aesthetic literacy to entry-level art education majors. Students are asked to bring to class and to discuss two objects--one, an art object, and the other a nonart object. The article also presents thematic categories for the generation of aesthetic concepts. (RM)
Descriptors: Aesthetic Education, Aesthetic Values, Art Activities, Art Education

Jeffers, Carol S. – Studies in Art Education, 1996
Presents the results of a statewide survey of Kansas art teachers. Teachers revealed that Discipline Based Art Education had little influence on them. Primary areas of concern were lack of funding and low status of art programs. Includes statistical analysis of the relationship between teaching experience, level of education, and teaching…
Descriptors: Art Education, Discipline Based Art Education, Higher Education, Professional Continuing Education
Efland, Arthur D. – 1990
This book examines the historic developments of art education in the context of general educational trends and currents of social forces. The work is divided into 8 chapters. Chapter 1, "Art Education: Its Social Context", sets the philosophic basis for the book. Chapter 2, "Western Origins of Art Education", surveys…
Descriptors: Art Education, Educational History, Educational Philosophy, Educational Trends
McMullan, James – 1994
This book encourages art students to draw the entire human figure at once, rather than isolated portions of the body. The approach focuses on the energy that suffuses every part of the body and produces liverly, seamless figure drawings without construction lines. Examples from Master works and student works are used to demonstrate the approach…
Descriptors: Anatomy, Art Education, College Instruction, Freehand Drawing
Newby, Marilyn P.; Carli, Nanette M. – 1988
Conducted through the joint auspices of the National Art Education Association and Illinois State University College of Fine Arts, this national survey gathered data through a mail questionnaire of more than 1,000 higher education institutions located in the United States, Puerto Rico, and Canada. The institutions included two-year and four-year…
Descriptors: Art Education, Educational Research, Elementary Secondary Education, Higher Education

Speight, Jerry – School Arts, 1978
The work described and shown in this article was produced by Elementary and Special Education majors participating in an art course for college credit prior to entering the teaching profession. They combined creative concepts with the use of papier-mache. (Author/RK)
Descriptors: Art Education, Art Materials, Art Products, Course Descriptions

Townsend, Neal – Art Education, 1985
As part of their facilities, the Department of Art Education at the University of New Mexico created an exhibition gallery open to both the academic community and the general public. The formation and program of the university-based art gallery is described. (RM)
Descriptors: Art Education, Arts Centers, Exhibits, Higher Education

Johansen, Per – Art Education, 1982
Discusses the need to upgrade the art component in elementary teacher education. Guidelines are included which can be used to expose prospective teachers to questions about children's art, visual perception, art appreciation, and teaching strategies. Suggestions for integrating guidelines into teacher education curricula are included. (AM)
Descriptors: Art Education, Curriculum Development, Elementary Education, Guidelines

Newcomb, Leonard – Academe, 1991
In one Massachusetts Institute of Technology building, architect I. M. Pei gave up three crucial areas of the project to three other designers for the purpose of artistic experiment: the main public space; the atrium's skin, with its impact on material and color throughout the building; and the site itself. (MSE)
Descriptors: Art Education, Building Design, College Buildings, Cooperation