Describes the evolving functions of an in-house art gallery at a Milwaukee, Wisconsin elementary school. Teachers used the gallery exhibits extensively as an educational resource and as the basis of their classroom activities. Exhibit themes always involved at least two curriculum areas. (AM)

A museum field trip should be the highlight of every art appreciation course. Through this experience, students are introduced to the museum as a source for authentic, original art and for scholarship, education, and entertainment. A well-planned field trip achieves this objective through the use and modification of eight components: (1)…

College art education majors, learning basic design and materials approaches suitable for secondary school art programs, designed this approach for grades 7-12. The objectives are: 1) to introduce basic techniques of paper mache; 2) to reinforce structural thinking by building the human head; and 3) to conceptualize and create a life-size…

Describes a schoolwide project for grades 4-6 in which students combined social studies, library research, art activities, music, and dance to present an international festival. (SJL)

To have more contact with children who particularly desired her help, an itinerant art teacher set up a box in each school where students could voluntarily leave their artwork for her to comment on and return later. The week's outstanding products were displayed in the cafeteria "art gallery." (SJL)

Describes an art education program that connects children and youth to the historical and contemporary issues associated with Yellowstone National Park. Originally conceived as a one-year celebration, the project has grown into a juried exhibit showcasing student art and writing which responds to Yellowstone resource themes and issues. (MJP)

Each year, Chesapeake College sponsors an Arts Contest, Social Science Fair, Occupational Skills Expo, and Regional College Night for the high school students in the college's five-county service area. The programs are designed to recognize the creative skills and academic achievements of the students and to establish the role of the college as a…

Raises a number of interesting questions about the relationship between controversial contemporary art and school art. Briefly summarizes the reactions of several groups of teachers and students after attending a controversial exhibit. Concludes with some recommendations for bridging the gap between the two art worlds. (MJP)

Presents an interview with Dr. William R. Detmers, an exhibiting artist and teacher for over 30 years. Dr. Detmers discusses the changing conceptions of both the forms and purposes of art, his own artworks, and the symbiotic relationship between exhibiting and teaching. (MJP)