Describes activities for high school art classes designed to increase student understanding about the role of structure in art. Activities deal with ways of directing student attention to the mental process of structuring and to the effects of color, line quality, and textures on structure. (AM)

Outlines a personalized sculpture project for high school students. (SJL)

Describes ways that aesthetic theories can be integrated into children's art education. The author illustrates elements of E.H. Gombrich's theory of aesthetic perception using as examples art activities designed to increase student awareness of their "mental sets" and their understanding of how mental sets influence visual perception. (AM)

Activities involving photographs stimulate visual perceptual awareness. Children understand visual stimuli before having verbal capacity to deal with the world. Vision becomes the primary means for learning, understanding, and adjusting to the environment. Photography can provide an effective avenue to visual literacy. (Author)

Discusses how elementary school children perceive abstract art and describes activities used to increase their appreciation of abstract art. Students draw dinosaurs and discuss the variations in their drawings. Two movement activities which reinforce concepts about abstraction are described. (AM)

Discusses the usefulness of instant cameras with all ages of students and in all subject areas. (SJL)

Reflective dialog between student and teacher when children are producing art can help children grasp relationships between actions and consequences. Eight types of questions that can be asked by the teacher are discussed. (IS)

Described is a college-level art activity that teaches aesthetic literacy to entry-level art education majors. Students are asked to bring to class and to discuss two objects--one, an art object, and the other a nonart object. The article also presents thematic categories for the generation of aesthetic concepts. (RM)

There are five categories of titles of paintings: descriptive, narrative, directive, poetic, and arbitrary. When children title their work they give clues to its intent and challenge the presuppositions that adults may bring to children's art. Titling can expand students' ideas for painting and provide a greater variety of approaches. (CS)

Article is a description of a project in which university student artists, placed in public elementary and high schools, practiced their crafts in view of pupils, and were available to talk with pupils, but did not act as teachers. (RW)

Article described Jane Addams' Hull House and the broad arts programs which she brought to the near west side immigrant neighborhood of Chicago. (Editor/RK)

Using three specific works of art, the author demonstrates how a study of selected landscape paintings can be integrated into units on landforms in secondary school earth science and general science courses. (Author/SJL)

Suggests a way to introduce abstract art to junior high school students who, more than students of any other age, emphasize realism both in their artwork and in their appreciation of works of art. (Author/SJL)

Shows how the advertisement copy for "collectible art" can be used to develop a definition of art. Suggests that middle and high school students should look at the criteria for art offered in the advertisements. Recommends they analyze the terminology used to convince the lay person that the object is "genuine" art. (LS)

A list of successful art activities that teachers had used with special education children were presented. Additionally, discussion groups reported on defining the terms associated with art therapy and the goals of art education. Recommendations for continued program meetings on the finer issues of special education were included. (RK)