Suggests a method for teaching research and other media center skills by integrating them in the reading and language arts curriculum with the media specialist and classroom teacher team-planning relevant activities. Advantages and disadvantages of this approach are summarized. (MES)

Recounts a classroom visit by children's poet and illustrator Karla Kuskin, and the flurry of activity and preparation that preceded her visit. (HTH)

Discusses the role of listening in the language arts and provides a six-stage group project for developing a variety of listening skills. (HTH)

This paper contends that, if pupils are to achieve as optimally as possible, the principal needs to provide quality leadership in having teachers stress vital principles of learning from educational psychology. The paper states that there are selected principles of learning that all schools of psychology emphasize. It first enumerates and…

Examines the who, what, where, how, and why of informal drama instruction in the classroom, arguing that, given the current emphasis on "basics" in education, such instruction can provide one of the most basic educational experiences in language arts. (HTH)

Examines the reading and writing processes and their interdependence and urges the language arts instructor to be an audience for children's writing and to help them become aware that what they read is someone else's writing. (HTH)

Encourages language arts teachers to give students more opportunities to write in order to develop both their reading and their writing skills. (DD)

Suggests ways that speaking and listening, reading and writing can be brought together in the learner's mind. (DD)

Three educational leaders--Robert Quackenbush, Geraldine Siks, and David A. Sohn--offer reflections on recent developments regarding activities that stimulate children's creativity, their hopes for the 1980s, and recommended books for teachers. (AEA)

This summary reviews the rationale for defining English language arts standards for K-12 students and the perspective on language learning that informs them. After presenting 2 of the 12 standards and discussing them briefly, the summary provides a vignette to illustrate how the standards might be manifested in a classroom setting. (RS)

Intended to help educators select textbooks that represent the highest standards of quality instruction, these guidelines describe major aspects of textbooks--of language arts instruction--considered essential. Following an introduction, the eight guidelines (whose features should be central to a program's design and should pervade the entire…

Six conceptions prevail about the language experience approach (LEA) although research and practical experience have proven them false. (1) "LEA does not teach basic skills." If basic skills are defined as communication competence, LEA teaches basic communication skills as well as the mechanics of communication. (2) "A language experience…

Research from various fields supports the crucial relationship of speech and writing. Experience with the Story Workshop used in composition classes can show how thinking, speaking, listening, reading, writing, recalling, and immediate audience focus can be integrated into every phase of the writing process. Activities must enable students find…

Describes classroom experiences while teaching a unit on Matisse to gifted students. (EL)

Varied exercises are offered for teachers to use in sharpening students' listening skills. (DG)