This timely book takes up the challenge of maintaining programs in the arts in the face of unrelenting pressure from two directions; the increasing focus on literacy and numeracy in schools, teamed with the cut-backs in public funding that often affect the arts most severely. Drawing on the wealth of evidence already available on the impact of the…

This paper reports on a recent action research project: "Enhancing environmental awareness through the arts". This project involved working with two early childhood professionals and 28 children in a long day care centre in the Sydney CBD at the end of 2006. Its aim was to assess the outcomes for the early childhood professionals, and…

Discusses three types of distance in art education that should be bridged: (1) between studio art and art criticism/history; (2) between thinking in images and thinking in words; and (3) between art and culture in cognition. Recommends a curriculum to integrate studio work with criticism and teach art along with culture. (CFR)

This document outlines a policy for the art education of and about Aboriginal people. Teachers in art education should have an understanding of Aboriginal education issues, and developers of art programs should consult with Aboriginal people before beginning work on a program and continuously throughout development. Teachers should take into…

The objectives of this paper are: to describe art education in New South Wales, Australia; to explain the Student Centered Art Appreciation (SCAA) Model; and to examine how and why the model works in the classroom. Art education is explored from four perspectives or theoretical frameworks: (1) the New South Wales Visual Arts Syllabus; (2) the SCAA…

Reviews alternative assessment practices in several nations and questions whether these techniques should be used in the United States. Focuses on moderation, a technique in which trained evaluators adjust grades to ensure equitable distribution among participating schools. Concludes that evaluation in art education presents special problems and…

Examines the work of Jurgen Habermas and Arthur Danto and develops a conceptual structure that views art education as an interpretive and reflective network that bridges school and life experiences. Contends that visual arts contribute to the development of reflective capacities. (CFR)

Presents a comparative review of art criticism strategies offered within the art education literature. Maintains that most strategies are characterized by three different structures: (1) sequential steps; (2) nonsequential groups of questions; and (3) lists of questions. Provides suggestions for further research. (CFR)

This resource packet contains extensive bibliographies; mail order resources; a map; videographics; an Oceania time line; thematic units plans, including suggested activities; an outrigger canoe diagram; and sample student work. This packet should prove invaluable to any teacher wishing to develop a comprehensive unit on Australia or any of the…

Provides an overview and introduction to some of the most useful databases for art education and research. Notes that much art education research uses dissertations and theses. Discusses the content and use of several U.S., Australian, and British databases. (MJP)

Presents a curriculum profile of arts education in Australia. The curriculum includes generic outcome statements organized around interrelated approaches. These include creating, making, and presenting, as well as arts criticism and aesthetics, and past and present contexts. The outcome statements range across eight levels of achievement. (MJP)

This document briefly reviews the educational system in Tasmania (Australia). It outlines particular programs from primary to postsecondary education, emphasizing the goal of individual student development. Photographs accompany many of the program descriptions. (DB)

Discusses the educational restructuring movement in Australia and places it in the context of past educational reforms. Educational restructuring is defined as a national curriculum framework with a common set of national goals and a curriculum streamlined into eight key learning areas. The arts is one of those areas. (MJP)

Maintains that autobiography, as a form of qualitative research methodology, has the ability to incorporate a deep sense of the intricate relationships of the meaning and process of artistic practice and its embeddedness in cultural influences, personal experiences, and aspirations. Provides specific examples of how to use autobiographical…

Outlines the implementation of a collaborative project between a college visual arts program and an academic staff development unit. Asserts that the project was conducted according to a model of clinical supervision specifically modified to suit a studio environment. Includes sample student opinions about the project. (CFR)