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Wan, Yinmei; Ludwig, Meredith J.; Boyle, Andrea – American Institutes for Research, 2018
The Every Student Succeeds Act (ESSA) includes a wide variety of ways for educators to support student success--including programs and funding streams that can be used to support arts education. To access the funding, education agencies must show evidence for how their proposed program can support or improve student outcomes. It can be difficult…
Descriptors: Art Education, Educational Legislation, Federal Legislation, Evidence Based Practice
Reason, Matthew – Trentham Books Ltd, 2010
Children's theatre in the UK is thriving. Debates about why children should watch theatre and what educational, emotional and expressive benefits it can provide inform cultural policy on education. Children aged 4-11 are increasingly taken to watch tailored theatre performances, yet there has been virtually no reflective research on what theatre…
Descriptors: Theater Arts, Young Children, Foreign Countries, Drama
AMS Planning & Research Corp., Fairfield, CT. – 1996
In Surveys of Public Participation in the Arts (SPPAs) conducted in 1982, 1985, and 1992 by the U. S. Census Bureau, randomly-selected interview subjects (age 18+) were asked a series of questions relating to their participation in the arts through attendance at live performances, exposure via mass media, personal participation in the arts,…
Descriptors: Attitudes, Audience Analysis, Audience Participation, Audiences
President's Committee on the Arts and the Humanities, Washington, DC. – 1997
This report was written by the President's Committee on the Arts and Humanities and offers suggestions to the President of the United States on ways to strengthen the system of support for the arts and the humanities in the United States. The document describes a vital cultural life as essential to a functioning democracy. It also examines the…
Descriptors: Culture, Drama, Federal Aid, Financial Support
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Lee, Jo-Anne; De Finney, Sandrina – Child & Youth Services, 2004
This chapter examines the use of popular theatre as a methodology to investigate racialized minority girls' processes of identity formation and experiences of exclusion and belonging in predominantly white, urban Victoria, B.C., Canada. The article draws on transnational feminist frameworks that emphasize intersectionality and locality to…
Descriptors: Females, Foreign Countries, Theater Arts, Minority Groups