This handbook is designed for specific use by performing arts presenters and touring companies. These companies pose an immense range of production requirements and challenges to a presenter. The book stresses the basics of technical production with an emphasis on presenting dance. Dance has more inherent pitfalls in its production requirements,…

To provide both an enriching theatre experience for students and faculty and new opportunities for women artists, the Department of Theatre Arts and Speech at Rutgers, the State University of New Jersey at Newark held a competition for new plays by New Jersey women playwrights. The winning play, Leni Hamilton's "The Fortress," a story of…

Discusses events that enhanced credibility of theater education including: the birth of the Alliance for Theater and Education; publication of "A Model Drama/Theater Curriculum"; inclusion of theater in the curriculum; change in emphasis in endowment programs; and publication of the National Endowment for the Arts "Toward…

In Surveys of Public Participation in the Arts (SPPAs) conducted in 1982, 1985, and 1992 by the U. S. Census Bureau, randomly-selected interview subjects (age 18+) were asked a series of questions relating to their participation in the arts through attendance at live performances, exposure via mass media, personal participation in the arts,…

This report was written by the President's Committee on the Arts and Humanities and offers suggestions to the President of the United States on ways to strengthen the system of support for the arts and the humanities in the United States. The document describes a vital cultural life as essential to a functioning democracy. It also examines the…

Suggesting that foreign-language literature classes often teach over the heads of students, argues that foreign-language literary texts be taught not as finished works of art but instead as culture-in-process, focusing on the creative-performance approach to the dramatic text within the context of a foreign-language teacher practicum. (MSE)

This handbook for organizing performance presentations, designed for professional organizations and volunteer or not-profit organizations, focuses on how to manage a presenting organization. The volume features 40 specific rules to guide groups presenting performances. The rules include: (1) get organized, (2) know the law, (3) remember performers…

American Indian education fails because schools force acceptance of a nonindigenous world view and ignore native people's perceptions of life, spirituality, art, time, mores, and learning practices. A University of Calgary experiment demonstrates that the creative arts, especially spontaneous drama, are more effective learning vehicles for native…

This booklet provides a framework for developing K-12 arts curriculum in dance, music, theater arts, and visual arts. The frameworks consist of goals in each of these subjects and are developed for K-2, 3-5, 6-8, and 9-12 grade levels along with suggested objectives. Significant differences in this updated version include: (1) a strong emphasis on…

Describes the theater arts teacher education program at the University of Kansas, Lawrence. Asserts that "connected teaching," in which individual teachers and their students are colearners, forms the foundation for the program. Includes an appendix listing current Kansas standards for certification of drama teachers. (CFR)